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The Dilettante Polymath's avatar

You mention Treptow…….the park landscape of which was changed by the huge Soviet war memorial.

Highly impressive, but it must have been shock to Berliners to have it on their doorstep

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Gerfried Horst's avatar

For your activities to explain Germany and the Germans to English speaking readers, Katja, you should be given the German Federal Cross of Merit. Your article on Berlin is another example for your high-quality journalism. Having lived in Berlin for many years, may I add a few points:

You are right to emphasize the destruction of Berlin by Anglo-American bombing and Soviet artillery and urban warfare. You wrote that “Hitler’s capital took a heavy beating in the 1940s.” But it was not just Hitler’s capital; it was the hometown of the Berliners that was destroyed, and it was they who were being killed while he was sitting safely in his bunker. In Britain, Vera Brittain protested the bombing of the German cities and the civilian population. In 2016 I managed to have the embankment opposite Berlin’s cathedral named after Vera Brittain, and her daughter Shirley Williams came with her family to inaugurate the new name (https://www.facebook.com/UKinGermany/posts/935236263211256).

The bombing was followed by the city’s partition into East and West Berlin after WWII. Berlin had been Germany’s biggest industrial city and the seat of the headquarters of all its major companies. They all moved to West Germany, to Munich, Frankfurt, Hamburg, and did not return after reunification. Berlin’s reinvention is still on the waiting list.

Whenever you see a tram in Berlin, you know that you are in former East Berlin. They kept the tram, which was the cheapest way, as they had few private cars. In West Berlin, on the other hand, they abolished the tram and built the city autobahn. Seeing it now, you know that you are in former West Berlin. In this way it will always be obvious to visitors whether they are in the former East or West of the city. In retrospective: who was right?

Regarding Berlin’s former German-Jewish community, I suggest acquainting the participants of your tour with the recordings of Max Raabe and his Palast Orchestra. Raabe's standard repertoire includes numerous songs by Jewish composers and lyricists who were influential in German popular music before 1933.

Would I be allowed to attend the cocktail at the Hotel Adlon on 3 September as a guest? Of course, I will pay for my drink.

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